We're not thinking about how to fix our lives, in other words, but how to fix the movie about our lives.
In other words, we fiddle while New Rome burns.
People forget that the first Rome had centuries of missed chances and ignored warnings before it crashed. New Rome has only had a few decades to miss chances ...
Even just looking at the historical context provided by Moore’s own movies, the progression is kind of scary. Back when Moore made Roger and Me, he was describing how blue-collar workers could no longer could find jobs to support themselves. In Bowling for Columbine he talked about the workfare programs we cooked up to keep those ex-employed blue collar workers alive, how brutal and inhumane those programs can be.
In Capitalism: A Love Story we’re now talking about how the compensation for professional jobs we used to consider upper-middle class, like the job of airline pilot, have dropped below subsistence level. This is a portrait of a society steaming toward a feudal structure.
He then shows that the mechanisms we’re supposed to appeal to to correct these problems — the combination of public awareness (i.e. the media) and the elected government (i.e. congress) — have been almost completely corrupted. We have a media that doesn’t pay attention to the fact that airline pilots are giving plasma in order to buy groceries. Even after deadly crashes, they don’t focus on the real causes.
... and ignore warnings.
It’s natural for Michael Moore to behave like someone who thinks he’s taking on the world alone. Because he is, sort of. If we want him to stop behaving like this, it’s kind of on us to do something about it. At some point we’re going to have to make a commitment to giving up our escapist entertainments for a while while we fix our actual lives. I’m as guilty as everyone else, spending half my time watching movies and sports. putting off my problems until later. If we all did less of that, my guess is that we might start thinking less like movie and TV critics, and more like citizens — at which point the flaws in Moore’s movies won’t seem so bad at all. We might not even notice them.
Time's coming to an end, New Romeos!